![]() ![]() However, the plaintiffs question whether a bittering agent was really added, as no testing has been done to support that statement. The product has a warning on its label stating that “misuse by deliberately concentrating and inhaling contents may be harmful or fatal.” In addition, the defendants claim they introduced a bitter-tasting agent to the product to deter such abuse. “Every one of these injuries and deaths was preventable, yet have failed to deter or prevent people from inhaling their dusting sprays.” “The manufacturers, distributors, and sellers of these dust removers are fully aware of these predictable and foreseeable injuries and deaths,” the current lawsuit alleges. In a similar case filed against the same defendants in 2012, representatives of both Walmart and AW Distributing testified they were aware people had been abusing Ultra Duster since at least 2008. It also states that Ultra Duster specifically has been involved in motor vehicle crashes in multiple states. It can also cause paralysis, unconsciousness, suffocation or cardiac arrest. When inhaled, it causes drowsiness, dizziness, loss of inhibitions, slurred speech and the inability to make sound decisions. However, the Walmart dusting spray lawsuit notes that they contain a gas called difluoroethane, or DFE, which is a central nervous system depressant. These products are sold to the public as safe and efficient ways to clear dust and debris from sensitive surfaces such as computer screens, or hard-to-reach crevices like the spaces between the letters on a keyboard. ![]() It is one of many compressed-gas dusting sprays generically known by terms such as “keyboard cleaner” and “canned air.” ![]() The plaintiffs call Walmart and the other named defendants “active and knowing participants” in the design, manufacture, distribution, sales and purchasing of Ultra Duster. “As a result of these injuries, Natalie Chairez and Samantha Chairez have endured, and will continue to endure, pain, suffering, distress, and a substantial reduction in their capacity to enjoy life and to participate in their usual activities,” the complaint states. With her mobility seriously impaired for the long term, she now must rely on a wheelchair or walking aid to get around. She was subjected to a lengthy hospital stay and required a bone graft and other surgical procedures. The Walmart dusting spray lawsuit notes Natalie’s injuries included a fractured neck, arm and femur. ![]()
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![]() ![]() In fact, its basic tenets make it a key piece of film editing that actually defines how we view and consume film and video content even today. Unlike metric, though, the second basic method of montage is far more cinematically acceptable. ![]() Here’s an example below of the “metric” montage from Eisenstein’s film October: Ten Days That Shook the World (1927). Let’s take a further look into each of these unique types and styles of montage to explore how they work, and how you can use them in your film and video projects. These five basic methods of montage (montage being a French word for “assemble” or “edit”) are as follows: He developed his famous “methods of montage” across his career, with the most notable example of each of his methods predominantly featured in his landmark achievement Battleship Potemkin. ![]() However, as you can see in the video above, it was truly Eisenstein who gave the montage its creative flair. While Soviet film director Sergei Eisenstein is credited as the godfather of the montage and pioneer of the Soviet montage theory, we can also trace the use of montage to early Hollywood filmmakers like Slavko Vorkapić and Don Siegel in the 1930s and 40s. Plus, for those interested in using this powerful technique, understanding the different approaches can help you better harness the montage for your film and video projects.īefore we dive into the different individual types of montage, let’s take a step back to look at how the film montage originally developed. From these origins, we can outline the five basic types of montage. We even see its classical roots in Battleship Potemkin (1925) and recreated and homaged in The Untouchables (1987).īut, what is a montage, really? And what makes this film editing technique so emotive and useful? The best way to understand is to go back to its origins and explore the core basics of Soviet Montage Theory. We see it in critically acclaimed art films like The Godfather and Citizen Kane. Movie-lovers like us see it in cheesy hits from the 1980s and 1990s like Bloodsport and Dirty Dancing. In the vast history of film and video, there’s perhaps no cinematic or editing technique more recognizable or powerful than the montage. We discuss the core historical tenets of Soviet Montage Theory, then explore the main types of montage for your film and video projects. ![]() ![]() Then it would be fairer for the largest group (ie: axemen) to attack the largest defending group (ie: usually spearmen). Then the archers should get a chance to thin the herd. Trebuchet should get a chance to take out rams before they get the chance of taking a wall. My reasoning for this being a thing (with the help of the community and their tweaking) is because (and I'll say it again) How are 50 of 100 trebs going to die and 500 of 1000 spearmen going to die when the enemy only sent in 500 axemen. (I might of added/removed/modified some of the things I might of posted above due to hindsight). (Side not, possible rule: Archers can only attack once (to avoid friendly fire or maybe attackers get too close) and archer damage depends on wall level ie: height). (Side note, possible rule: the largest part of the attacking army attacks the largest part of the defending army first until one group dies OR maybe until one group is no longer the largest group). Rams cannot be hurt after 1 until 5 is true.ĭefending offense will not defend until 5 is true.Īttacking defense will not attack until 5 is true. Trebuchet cannot be hurt until 5 is true. Or defender no longer has Spearmen, Swordsmen, and or Heavy Cavalry.Īrchers can not defend if there is no wall.Īrchers die if rams completely take down wall. Might try and finish it.ģ: Archers attack attackers if there's a wall.ĥ: repeat 3-4 until either attackers have no longer have Light Cavalry, Axemen, Mounted Archers, and or Paladin. Doubt this 'code' would even work even if someone with skill revised it from the dead. Tribal wars 2 units code#Let me break it down a bit, also my code is bad and ruff. I know it might be hard to understand LOL. How can i make the + "x" + actually calculate? (ram - trebuchet = ramCurrent)? END OF CHECK FOR, RAM & TREBUCHET & WALL wall loses " + "x" + " lvl and is now " + "x" + " lvl.") Println("trebuchet killed " + "x" + " ram.") START OF CHECK FOR, RAM & TREBUCHET & WALL Start of Tribal wars 2 battle mechanics I just started making this code about an hour or so ago. I started to learn coding in september so go easy on my bad coding, point out errors if you can. The largest attacking group goes first (after rams) then everything get ran again. Same thing if defense attacks offense/defense. If the attacking army wipes out all the defenders offense/archers/berserkers then it will plunder all resources then the catapults will catapult the preselected building. Then the attacking army will be attacked by any remaining offense and archers and by any berserkers. If there are no more defending units (not counting offensive units, archers, and any Hall of Orders) ![]() Then the same thing happens for the catapults, all the defending army attacks the catapults and if the catapults survive then they attack the preselected building. ![]() If the rams survive then they attack the wall again. If there are no more attackings units on the attacker's side then the rams will be attacked by all the remaining defending troops. Then the current largest attackers group attacks the current largest defending army group until one side is wiped out (ie: swordsmen).Īnd so on until either there are only rams or catapults on the attacker's side or there are no heavy cavalry, spearmen, or swordsmen on the defending side. Then the archers (if the first largest army is now gone or smaller) attacks the current largest attackers group (ie: Light Cavalry). The largest part of the attacking army (ie: axemen) gets attacked by the archers (maybe archer damage is increased based on wall level) then that part of the attacking group (ie: axemen) attacks the biggest defending group (ie: swordmen) until one side is wiped out (ie: axemen). There are axemen, light cavalry, rams, and cats attacking swordsmen, archers, and trebuchets. It should be like this (could use some fixing/help): They just get in lines and evenly split up the axemen into 1/3's? My question is why in the hell are the spearmen even going in and are 33% of the axemen just chucking their axes at the archers up on the wall? How they hell are the archers dying.īefore each battle do they all just shake hand and 1/3 of each of the types of units stay while the other 2/3 give moral support from behind the wall? Ie: 10,000 axemen attacking 10,000 swordmen 10,000 spearmen, and 10,000 archers behind a lvl 20 wall would get you -1248 swordsmen, spearmen, and archers. Why is it that the troop deaths are evenly split up. ![]() ![]() ![]() When time for the public performance arrived, the opera house would be filled and even standing room occupied. Those towns with theatre club members took their work seriously, rehearsing parts for weeks and often months. #Granbury opera house professional#Interest in both amateur and professional dramatics was intense. By 1885, nearly every town in West Texas had an opera house, which was decidedly the largest and most imposing structure in the community. 122).Ī little theatre movement swept over the country from 1875-1890. The Northern Standard of September 17, 1842, announced the appearance of the "well-known and unrivalled" ventriloquist E.L. In addition to group entertainment, single entertainers would often tour the countryside and stop at the various towns. The town of Matagorda had an amateur company-known as the Thespian Company of Matagorda-and a distinct little theatre building (29, p. One of the doctors composed a piece, and once every two weeks they met to act (29, p. The young people customarily assembled every Saturday evening to sing, and the idea was suggested that they do some theatre. Smith, who taught school in a log house in Gonzales County in 1840, told how amateur theatricals sometimes came into existence. In addition to the professionals, there were many amateur dramatists as well. In 1898 a grand opera company toured the country, attempting a part of the opera Martha (21, p. At rare intervals a theatrical troupe came through, touring Shakespeare or one of the popular shows of the day. Any kind of mind reader was always a good drawing card, as were the particularly popular elocutionists. Their programs were a type of vaudeville, consisting of humorous sketches, songs, dances, and instrumental specialties. Some carried their own tents others played in the opera houses. Such famous stars as Edwin Booth, Edwin Forrest, Helena Modjeska, Sarah Bernhardt, and Lily Langtry regularly included Texas in their tours. These companies, as well as the rise in amateur performances, created a need for opera houses, many built for touring companies that made one-night stands. ![]() In Dallas, the Opera House opened six months after the railroad came to town (20, p. When the railroad made overland travel relatively simple, professional theatre followed close behind. In 1845 Joseph Jefferson, appearing with his parents, became one of the first of many famous actors to find his way to Texas. On June 11, 1838, the new theatre formally opened with a presentation of Sheridan Knowles' celebrated comedy "The Hunchback," followed by the farce "The Dumb Belle." This was the heyday of the traveling stock company, and many different companies made Houston a regular stopping place, for by 1839 it had become the principal theatre center of Texas (29, p. On May 26, the Telegraph and Texas Register announced a company from the states was on its way to Texas to occupy the theatre newly-built by John Carlos. The next year the project was revived and Houstonians eagerly looked forward to the introduction of the drama. However, nothing came of the proposal, and the project was dropped (29, p. Charles Theatre in New Orleans and had had wide experience in the theatres of the United States. Lyons attempted to bring a dramatic company to Houston, Texas. Earlier accounts are documented of theatrical activities among the Mexicans in the war camps of both sides, but organized theatre first appeared in the spring of 1837, when G.L. Texas independence had not long been won when formal theatre began establishing a toehold in the new republic. ![]() |
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